Saturday, March 20, 2010

What We're Reading: Erin Fitzgerald

Review by Eileen Wiedbrauk

The short-short and flash fiction of Erin Fitzgerald, writer, editor and blogger, can be found among some of the most respected online journals (full listing here). And we -- the bloggers and editors of Third Coast -- have been reading it all.

Fitzgerald's stories are the kind of the little treasures I love to come across when reading on the web. She has a way of turning the common place, the frustrating, or the ubiquitous aspects of contemporary American life into interesting and surprising narratives. Picking the kids up from school, identity theft, and the teeny-bopper jewelry boutique become occasions for horror, humor, and the start of an interplanetary war respectively.

In spite of the brevity of much of her work -- or perhaps because of it -- Fitgerald is able to believably adopt the voices of wildly different characters. The mesmerizing voice of the narrator in "This Morning Will Be Different" tells us "I am ready," but not for what. The narrator lays out all the things she will do and in the end leaves us with only an echo -- a sense of yearning easily understood by many a daydreamer. The narrator of "There Are Always Children" speaks in a much more visceral manner: "A thought crawls into my skull through my sinuses." But for this unnamed narrator thoughts arrive too late. "That should be a warning," Fitzgerald tells the reader.

The hushed but workable terror that pervades "There Are Always Children" snakes through her other works, even those cloaked in the trappings of sensible suburban adulthood. It's there in a subtle way that leaves the reader unsettled but intrigued in "Where Did It All Go Wrong?" "Waiting Room" and even in "Trumpet Voluntary."

Perhaps that should be a warning is a good means of describe Erin Fitzgerald's stories -- not a warning to stay away, but to stick around for the twist.

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Thursday, February 4, 2010

What the Editors Are Reading

We read all the time. When it comes to submissions to the magazine, we only read certain months of the year (see website), but on a day to day basis, the editors are constantly reading published work. Some of it's new, some of it's classic, some fiction, some theory, some poetry and some of it blogs.

Here's what we're reading in this month:
  • Emily Hamilton and other writings by Sukey Vickery, with an introduction and notes by Scott Slawinski -- a recovered 1803 epistolary novel by an early American author
  • Werewolves in Their Youth, short stories by Michael Chabon
  • Patricia Hampl's memoir The Florist's Daughter
  • Wallace Stegner's collection of essays Where the Bluebird Sings to the Lemonade Springs
  • Wolf Hall by Hilary Mantel
  • The Collected Stories of Amy Hempel
Blogs of note:
  • Ward Six -- always thoughtful; the February 1 post "Throwing in the Towel" approaches an issue similar to intern Nathan Norton's blog post here about revisions and knowing when you're done, only on Ward Six, we approach the discussion of when to give up.
  • Rarely Likable -- a particular favorite are the "linkbucket" posts on this blog. The linkbuckets provide readers with direct access to more interesting material than could possibly be read in one sitting ... but that won't stop you from wanting to try.

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Monday, November 16, 2009

What the Editors Are Reading

This month our editors are reading:

  • Interview with a Ghost, Tom Sleigh
  • Richard Yates's Revolutionary Road
  • Nadine Gordimer's The Pickup
  • Graham Greene's The Power and the Glory
  • A Fans Notes - Frederick Exley
  • Losing Season, by Jack Ridl (poems)
  • Without End: New and Selected Poems by Adam Zagajewski
  • Stupid Hope by Jason Shinder
  • Versed by Rae Armantrout
  • Special Orders by Ed Hirsch
  • Black Sabbatical by Brett Eugene Ralph
  • Warhorses by Yusef Komunyakaa
  • Oranges and Peanuts for Sale by Eliot Weinberger
  • The Book of Seventy by Alicia Ostriker
  • Hard Times by Charles Dickens
  • Heart of Darkness by Joseph Conrad
  • It is Daylight by Arda Collins
  • All-American Poem by Matthew Dickman
  • Derek Walcott's "Omeros"
  • "Ali & Nino"
  • Kiterunner
  • This is Not a Book, Keri Smith
  • Alice Hoffman, "The Witch of Turo"
  • Plays: David Ives's Sure Thing
  • Shakespeare's Othello
  • A Dybbuk, or Between Two Worlds, adapted by Tony Kushner, originally by S. Ansky
  • The Tenth Man, Paddy Chayefsky
  • plus an assortment of Arthur Miller and Tony Kushner plays.

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Sunday, October 11, 2009

What the Editors Are Reading

We read all the time. When it comes to submissions to the magazine, we only read certain months of the year (see website), but on a day to day basis, the editors are constantly reading published work. Some of it's new, some of it's classic, some fiction, some theory, some poetry and some of it blogs.

Here's what we're currently reading:
  • Crime and Punishment, Dostoevsky
  • White Noise, Don DeLillo
  • Save the Last Dance, Gerald Stern
  • I Served the King of England and Too Loud A Solitude, Bohumil Hrabal
  • Patricia Smith's poetry collection Blood Dazzler
  • Take Your Time: Olafur Eliasson, edited by Madeleine Grynsztejn, (essays, etc., about the work of Icelandic artist Olafur Eliasson)
  • Dobby Gibson's poetry collection Skirmish
  • Planets on Tables: Poetry, Still Life, and the Turning World, Bonnie Costello
  • Burn This Book, edited by Toni Morrison
  • For the Love of God: The Bible as an Open Book, Alicia Ostriker
  • In a World of Ideas, I Feel No Particular Loyalty (chapbook), Adam Clay
  • City Poems (chapbook), Cindy St. John
  • The Liar's Club (memoir), Mary Karr
  • "One Reader's Digest: Toward a Gastronomic Theory of Literature," Brad Kessler
  • the poetry of Wallace Stevens
  • Harley Erdman's Staging the Jew: The Performance of an American Ethnicity, 1860-1920
  • Acting Jewish: Negotiating Ethnicity on the American Stage and Screen, Henry Bial
  • Clifford Odets' play Awake and Sing!
  • Elmer Rice's play Counsellor-at-Law.
  • Paradise Lost, Milton
  • The Kite Runner
  • Til We Have Faces, C.S. Lewis


In addition to that list are assorted short stories by Rick Bass, Flannery O'Connor, and T.C. Boyle. And (for those of us who also teach) a flurry of student papers as it's just about that time of year when composition students finish up their first project.

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